A 113 page book from my senior portfolio class with Paul Sahre. The assignment was to create a loose-leaf 100+ page book from a short story, using only a typewriter and a Xerox machine.
I chose Roald Dahl's, A Man From the South. Contrasting scale, collage illustrations, and abstract layouts make each page it's own moment; in which the text is as much a visual image as it is information.
A 113 page book from my senior portfolio class with Paul Sahre. The assignment was to create a loose-leaf 100+ page book from a short story, using only a typewriter and a Xerox machine.
I chose Roald Dahl's, A Man From the South. Contrasting scale, collage illustrations, and abstract layouts make each page it's own moment; in which the text is as much a visual image as it is information.
A 113 page book from my senior portfolio class with Paul Sahre. The assignment was to create a loose-leaf 100+ page book from a short story, using only a typewriter and a Xerox machine.
I chose Roald Dahl's, A Man From the South. Contrasting scale, collage illustrations, and abstract layouts make each page it's own moment; in which the text is as much a visual image as it is information.
A 113 page book from my senior portfolio class with Paul Sahre. The assignment was to create a loose-leaf 100+ page book from a short story, using only a typewriter and a Xerox machine.
I chose Roald Dahl's, A Man From the South. Contrasting scale, collage illustrations, and abstract layouts make each page it's own moment; in which the text is as much a visual image as it is information.
A Man From the South
A 113 page book from my senior portfolio class with Paul Sahre. The assignment was to create a loose-leaf 100+ page book from a short story, using only a typewriter and a Xerox machine.
I chose Roald Dahl's, A Man From the South. Contrasting scale, collage illustrations, and abstract layouts make each page it's own moment; in which the text is as much a visual image as it is information.